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"Saya bermain musik tidak peduli apa," kata Guy, saat ia menoleh ke belakang pada masa mudanya. "Tapi aku tidak melihat karir dari itu, karena saya tidak berpikir saya cukup baik. Saya bermain gitar karena cinta musik. Saya tidak melihat saya membuat kehidupan yang layak keluar dari bermain gitar. Aku tujuh puluh empat-tahun-dari sekarang. Ketika aku berusia lima belas tahun-tahun, Anda tidak bisa mencapai di luar sana dan menemukan pemain gitar berbuat baik seperti sekarang ini, di mana beberapa pemain gitar membuat jutaan dolar. Apakah tidak ada hal seperti itu. "
Ia melanjutkan, "Anda melihat Arthur Crudup dan Lightnin’ Hopkins dan mereka fellas seperti T-Bone Walker: mereka adalah orang-orang yang sedang bermain musik blues itu, dan aku membayangkan mereka akan membuat cukup untuk membeli sebotol anggur atau mungkin mendapatkan hamburger atau sesuatu seperti itu, tapi mereka tidak akan seperti itu. Saya merasa senang pertemuan Lonnie Johnson - Aku tidak bertemu Robert Johnson - tapi aku bertemu Fred McDowell, Son House dan orang-orang seperti itu, dan aku bertemu mereka sebelum mereka meninggal dunia, dan mereka hanya turun di Mississippi bermain untuk minum pada akhir pekan - apa yang mereka sebut Goreng Ikan Sabtu Malam. Aku seperti mengatakan aku ingin melakukan itu, karena itulah yang ingin saya lakukan. Aku tidak mengatakan suatu hari aku akan berbicara dengan Anda dan membuat kehidupan yang layak keluar dari bermain gitarku. "
Guy ingat yang memerintah dari gaya liar bermain dengan pendiri Chess Records Leonard Catur - sampai Chess mulai mendengar musik yang sama yang dimainkan oleh seniman Inggris tahun 1960-an.
"Mereka tidak akan memberi saya kesempatan sampai orang-orang Inggris meledak, kemudian Leonard [Chess] kembali - saya pikir itu mungkin empat atau enam bulan sebelum ia meninggal dunia - dan ia dikirim Willie Dixon ke rumah saya. Dia berkata, 'Pergi mendapatkan [sumpah serapah]' - jika Anda tahu apa yang saya maksud - Dan aku turun dan dia berkata, "Man, kau sudah berusaha untuk memberikan hal ini sejak Anda dan membawa dia." datang ke sini dan kami itu [sumpah serapah] terlalu bodoh untuk mengerti. Dan itu menjual, dan itu panas, karena orang-orang Inggris bermain itu.
"Dan ia mengenakan rekaman, saya pikir oleh Hendrix atau Cream, dan kemudian dia berkata," Kau datang ke sini sekarang dan melakukan apa yang Anda inginkan. "Dia tidak tinggal terlalu lama setelah itu. Tapi aku masuk ke sana melakukan itu, karena saya disalin bahwa barang-barang dari Guitar Slim akhir dan T-Bone - mereka sedang memakai sebuah acara dengan gitar. Aku tidak sebaik pemain gitar seperti beberapa orang-orang seperti Wayne Bennett, Matt Murphy, Earl Hooker - aku bisa terus - tapi aku masih menganggap diriku di sekolah. Ketika saya melihat Muddy dan BB dan mereka bermain, aku bahkan tidak ingin mereka tahu aku di rumah setelah mereka harus tahu saya, karena saya ingin menyelinap masuk dan menonton mereka dan belajar sesuatu. "
Pada tahun 2009, The 71's mengguncang pemirsa hingga larut malam di Wal-Mart rekaman Live mereka, video hit Sekarang "Start Again.", The 71 telah menerjang melalui salah satu tempat atas Houston musik live, The House of Blues pada 14 Jan .
"Acara The House of Blues ini menarik," kata penyanyi dan gitaris 71, Keeton Coffman. "Ini sangat penting karena House of Blues merupakan tempat yang diakui secara nasional. Dan untuk sampai ke sana adalah berkat kesungguhan dan kemenangan yang nyata. Kami adalah real excited. "
Walaupun album pertama, "We Are Lokomotif," disambut baik oleh fans, Coffman mengatakan penawaran baru musim ini, musik akan menjadi sesuatu yang sedikit berbeda dari apa yang sudah diminati penggemar.
"Kami mengeluarkan album pertama dan kemudian memutuskan untuk melakukan musik kami sedikit berbeda karena orang telah mengubah cara mereka menikmatinya," kata Coffman. "Kami menempatkan tiga catatan kecil."
Selain cara 71 merekam dan merilis musik, mereka juga mengubah cara penggemar bisa membelinya.
"Fans bisa membayar apa yang mereka inginkan untuk musik kami," kata Coffman. "Mereka bisa membayar apa-apa atau betapapun mereka merasa seperti membayar. Ini adalah hal yang unik yang kita lakukan dengan lagu-lagu kami. "
Datang dari rilis terbaru dari EP terbaru mereka, "Rock and Roll Reaksi Volume 1," The 71's telah merekam lagu-lagu baru, video baru dan kinerja yang hidup di "Great Day Houston."
"Karena hubungan kami dengan Channel 11, kami diminta untuk mengambil gambar video untuk Texans, Cowboys pregame show. Itu adalah kesepakatan yang rapi. Ini telah membantu kami dalam klaim sedikit lebih dan telah membawa kita untuk House of Blues show kami. "
Dengan dua lagi EP ditetapkan untuk rilis tahun ini, The 71 adalah pada roll.
"EP pertama kami, 'Rock and Roll Reaksi Volume 1,' keluar pada bulan Oktober," kata Coffman. "Kami berharap penggemar benar-benar akan menikmati arah artistik dari band di album ini. Memiliki gigi lebih, tetapi masih aliran sangat utama. Di sisi filosofis tidak benar-benar ada alasan untuk menunggu untuk memadamkan ton musik, sehingga telah merubah segalanya bagi kita. Kami benar-benar memiliki kemampuan untuk membiarkan penggemar merasakan denyut dan gaya penulisan musik kami. Sekarang kita dapat menulis lagu dan tiga bulan kemudian diterbitkan di iTunes. Kami memiliki 'Rock and Roll Volume Reaksi 2' keluar pada bulan April dan 'Volume 3' pada bulan Oktober. "
Selanjutnya untuk band ini, sebuah perjalanan ke seluruh negara bagian. Grup ini tidak hanya berusaha untuk membuat nama bagi diri mereka sendiri, tetapi juga memperlihatkan pecinta musik di seluruh negara bagian untuk suara "mentah" yang menetapkan The 71's terpisah dalam suatu industri yang penuh dengan bakat kreatif yang luas.
"Houston jadi baik bagi kami. Ini telah menempatkan kami di peta, "kata Coffman. "Sekarang kita membuka pintu di seluruh negara bagian dengan agen pemesanan baru dan keluar sekitar Texas. Ini adalah kehormatan baik dan anugerah. Kami ingin mencapai apa yang kita miliki di Houston di beberapa kota-kota Texas yang lebih besar seperti San Antonio dan Dallas, kemudian kita dapat lebih mengatasinya . "
Fans tidak harus mulai mencurahkan apapun air mata atas hilangnya band favorit lokal mereka, Coffman mengatakan mereka tidak akan lupa dari mana mereka berasal.
"Meskipun kami akan mengadakan tur keliling Texas, kami masih akan bermain di Houston beberapa kali setahun. Ketika kami merilis catatan kami, untuk melakukan pertunjukan Houston dan kemudian mendapatkan kembali jalannya. Ketika mengunjungi penggemar, menunjukkan bahwa mereka akan bisa mendengar lagu-lagu yang mereka kenal dan juga bisa melihat materi yang baru. Meskipun mereka melihat band yang sama, sebenarnya tidak, karena akan banyak materi baru. "
Sampai rilis "Volume 2" pada bulan April, The 71's fans hanya akan harus menyelesaikan untuk tombol mengulangi pada iPod dan video menonton di U-Tube.
"'Rock and Roll Volume Reaksi 2' akan menjadi luar biasa," kata Coffman. "Yang pertama itu baik, tapi rasanya seperti selamanya. Aku punya perasaan bahwa kita mungkin memiliki salah satu dari lagu ditampilkan di Final Four di Houston. Selain beberapa musik baru, penggemar bisa melihat menunjukkan lebih baik dan lebih baik, video baru dan beberapa musik yang baik dan menarik. Semoga orang akan dapat mendengar dan mengidentifikasi dengan barang-barang baru kami. Itulah mengapa kita menulis itu dan kami menyukainya. "
Untuk informasi lebih lanjut tentang 71's kunjungi website mereka di www.the71s.com.
"Highway 61 Blues" membuka album dengan penyanyi / penulis lagu, suara tenor Steve Dupree's mengungkap bahwa Jalan Pintas judul itu "Sure can be a mean old road." Enam belas Bar terdiri dari sepuluh komposisi asli. Gitaris Travis Stephenson bersama-sama menulis tujuh dari trek bersama dengan DuPree. Pengutamaan untuk perkusi, bass, dan backing vocals namun penekanannya jelas pada DuPree dan Stephenson.
The press release bills DuPree sebagai "Mississippi saksofon" player, dan anehnya di album ini, ia tidak bermain saksofon. Dia memainkan harmonika dan menampilkan sinergi halus dengan gitar resophonic Stephenson. Dalam alunan kembali ke akar blues, sebenarnya sebagian besar komposisi DuPree's tampil sebagai nyanyian - ada kata terlalu banyak untuk jumlah catatan dimainkan. Dia menarik it off though. Jika Anda mendengar ini dalam rural honky tonk, sekitar tiga lembar untuk diterbitkan, siapa yang peduli?
Enam belas Bar tersedia dari Amazon, CDBaby, dan the Delta Flyers’ web site. It was released on January 4, 2011.
Legacy Recordings and Experience Hendrix LLC are proud to announce the highly-anticipated release of West Coast Seattle Boy - The Jimi Hendrix Anthology, featuring more than four hours of rare and previously unreleased Jimi Hendrix music on a 5 Disc (4 CD/1 DVD) deluxe box set, available Tuesday, November 16.
The long-awaited career-spanning box set tracks Hendrix's remarkable journey from little known R&B sideman to international stardom through an unprecedented assemblage of previously unavailable recordings.
West Coast Seattle Boy - The Jimi Hendrix Anthology is not a collection of existing Jimi Hendrix albums but instead 45 unreleased Jimi Hendrix live and studio recordings including demos and alternate versions of songs from Are You Experienced, Axis: Bold As Love, and Electric Ladyland. West Coast Seattle Boy includes Hendrix's never before heard version of Bob Dylan's "Tears Of Rage," solo acoustic recordings of Electric Ladyland favorites like "Long Hot Summer Night" and "1983 (A Merman I Shall Turn To Be)" as well as never before heard live performances from Berkeley and the legendary Band Of Gypsys Fillmore East concert on New Year's Eve 1969 combined together with such new Hendrix songs as "Hear My Freedom," "Hound Dog Blues," "Lonely Avenue" and more.
A centerpiece achievement in Legacy Recordings' monumental Jimi Hendrix catalog project, West Coast Seattle Boy - The Jimi Hendrix Anthology is the first Hendrix collection to bring fans access to a comprehensive treasure trove of fresh material - including demos, alternate takes, live concert jewels and more - from all phases of the artist's recording career (1964 -1970).
West Coast Seattle Boy - The Jimi Hendrix Anthology offers the most complete collection of Jimi's pre-Experience R&B performances (including his singles with the Isley Brothers, Little Richard, Don Covay, King Curtis and more) to ever be officially anthologized, while bringing together the most comprehensive and revelatory set of fully realized songs, never before heard live performances, alternate studio takes, acoustic and electric demos, and other rarities drawn from every chapter of Jimi Hendrix's remarkable life and career.
The newly curated and assembled West Coast Seattle Boy - The Jimi Hendrix Anthology includes Jimi Hendrix Voodoo Child, a new 90 minute documentary directed by the multiple Grammy award winning Bob Smeaton (Beatles Anthology, Festival Express, Beatles: The Studio Recordings, Band of Gypsys). An autobiographical journey told in the legendary musician's own words as read by Parliament-Funkadelic's Bootsy Collins, the film incorporates interviews with Hendrix, coupled with the artist's letters, writings and recordings to provide new insight into one of the most enduring icons of popular culture. The documentary features some of Jimi's greatest performances as well as rare and never before seen footage and photos including-for the first time ever-examples from the Hendrix family archive of the late guitarist's personal drawings, postcards home to his father, song drafts, sketches, and lyrics.
"Who better to tell the incredible story of a man's life than the man himself? Jimi was amazing and only his music, with tones and textures that he conjured, can capture the colorful and expansive essence of his time here on earth. I am enthralled with this all-encompassing new anthology which not only illuminates his years on both sides of the Atlantic and beautifully reveals his versatility as a performer, from his R&B origins to his explosion on the pop culture scene, but highlights who he was for those who knew and loved him," said Janie Hendrix, President and CEO of Experience Hendrix and co-producer of West Coast Seattle Boy - The Jimi Hendrix Anthology. "This vast exploration of my brother's musical and life experiences leaves no stone unturned and is sure to broaden our understanding of who Jimi really was, not only as a legendary musician, but also as a timeless messenger of love."
"Jimi Hendrix changed the world with his music and West Coast Seattle Boy - The Jimi Hendrix Anthology honors that achievement with an unprecedented collection of rarities and never-before-heard tracks from the Hendrix vaults that show the breadth and depth of this extraordinary artist," said Adam Block, Executive Vice President and General Manager, Legacy Recordings. "West Coast Seattle Boy - The Jimi Hendrix Anthology is a comprehensive overview of Hendrix's career told through fresh materials and provides remarkable new insights into one of music's greatest geniuses."
An essential and historic addition to the Jimi Hendrix catalog, West Coast Seattle Boy - The Jimi Hendrix Anthology brings together, for the first time, many of Hendrix's earliest commercial recordings, providing a rare glimpse of the rising rock guitar hero through a series of stellar sideman performances on a set of highly collectible pre-Experience R&B singles. Included on Disc One of West Coast Seattle Boy are:
1. Isley Brothers - Testify (1964)
2. Don Covay & the Goodtimers - Mercy, Mercy (1964 - No 1 Cashbox R&B - No 35 Billboard Hot 100)
3. Don Covay & the Goodtimers - Can't Stay Away (1964)
4. Rosa Lee Brooks - My Diary (1965 - written by Arthur Lee)
5. Rosa Lee Brooks - Utee (1965)
6. Little Richard - I Don't Know What You Got But It's Got Me (1965)
7. Little Richard - Dancing All Around The World (1965)
8. Frank Howard & The Commanders - I'm So Glad (1966 - written by Billy Cox)
9. Isley Brothers - Move Over And Let Me Dance (1965
10. Isley Brothers - Have You Ever Been Disappointed (1965)
11. Ray Sharpe - Help Me (Get The Feeling) (Part I) (1966)
12. The Icemen - (My Girl) She's A Fox (1966)
13. Jimmy Norman - That Little Old Groovemaker (1966)
14. Billy Lamont - Sweet Thang (1968)
15. King Curtis - Instant Groove (1969)
* * * * *
Disc Two of West Coast Seattle Boy - The Jimi Hendrix Anthology focuses on 1967-68 and Hendrix's breakout sessions with the Jimi Hendrix Experience:
1. Fire(1967) - Previously Unreleased Alternate Recording
2. Are You Experienced (1967) - Previously Unreleased Recording
3. May This Be Love (1967) - Previously Unreleased Alternate Recording
4. Can You See Me (1967) - Previously Unreleased Alternate Recording
5. Love Or Confusion(1967) - Previously Unreleased Alternate Recording
6. Little One (1967) - Previously Unreleased Recording (featuring Dave Mason on sitar)
7. Mr. Bad Luck (1967) - Previously Unreleased Alternate Recording
8. Cat Talking To Me (1967) - Previously Unreleased Alternate Recording
9. Castles Made Of Sand (1967) - Previously Unreleased Recording
10. Tears Of Rage (1968) - Previously Unreleased Recording
11. Hear My Train A Comin' (1968) - Previously Unreleased Recording
12. 1983 (A Merman I Shall Turn To Be) (1968) - Previously Unreleased
Recording
13. Long Hot Summer Night (1968) - Previously Unreleased Recording
14. My Friend (1968) - Previously Unreleased Recording
15. Angel (1968) - Previously Unreleased Recording
16. Calling All The Devil's Children (1968) - Previously Unreleased Recording
17. New Rising Sun (1968) - Previously Unreleased Alternate Recording
* * * * *
Disc Three of West Coast Seattle Boy - The Jimi Hendrix Anthology revisits 1968-1969, both a peak and pivotal period for Hendrix in which the artist was exploring bold new directions on stage and in the studio:
1. Hear My Freedom (1968) - Previously Unreleased Recording
2. Room Full Of Mirrors (1969) - Previously Unreleased Recording
3. Shame, Shame, Shame (1969) - Previously Unreleased Recording
4. Messenger (1968) - Previously Unreleased Recording
5. Hound Dog Blues (1969) - Previously Unreleased Recording
6. Untitled Basic Track (1968) - Previously Unreleased Recording
7. Star Spangled Banner (1969) - Previously Unreleased Original Mix
8. Purple Haze (1969) - Previously Unreleased Original Mix
9. Young/Hendrix (1969) - Previously Unreleased Alternate Recording
10. Mastermind (1969) - Previously Unreleased Recording
11. Message To Love (1969) - Previously Unreleased Alternate Recording
12. Fire (1969) - Previously Unreleased Recording
13. Foxey Lady (1969) - Previously Unreleased Recording
* * * * *
Opening with Hendrix's incendiary New Year's Eve performance of "Stone Free" at New York's Fillmore East on December 31, 1969 and closing with a previously unheard recording from Hendrix alone in his Greenwich Village apartment in 1970, Disc Four of West Coast Seattle Boy - The Jimi Hendrix Anthology provides a fascinating portrait of an artist at his fiery best, working on the future:
1. Stone Free (1969) - Previously Unreleased Recording
2. Burning Desire (1970) - Previously Unreleased Recording
3. Lonely Avenue (1969) - Previously Unreleased Recording
4. Everlasting First (1970) - Previously Unreleased Alternate Recording (featuring Arthur Lee)
5. Freedom (1970) - Previously Unreleased Recording
6. Peter Gunn/Catastrophe (1970) - Previously Unreleased Alternate Recording
7. In From The Storm (1970) - Previously Unreleased Alternate Recording
8. All God's Children (1970) - Previously Unreleased Recording
9. Red House (1970) - Previously Unreleased Recording
10. Play That Riff [Thank You] (1970) - Previously Unreleased Recording
11. Bolero (1970) - Previously Unreleased Alternate Recording
12. Hey Baby (New Rising Sun) - Previously Unreleased Alternate Recording
13. Suddenly November Morning (1970) - Previously Unreleased Recording
* * * * *
West Coast Seattle Boy - The Jimi Hendrix Anthology is the centerpiece of Legacy Recordings/Experience Hendrix LLC's second wave of Hendrix catalog releases. Also arriving on November 16 from the artist Rolling Stone magazine called "the greatest guitarist of all time" are deluxe editions of Jimi Hendrix Experience: BBC Sessions and Jimi Hendrix: Blues, his legendary Live At Woodstock performance, and Merry Christmas & A Happy New Year, the highly collectible Jimi Hendrix Christmas EP.
A single disc "Best Of" edition of West Coast Seattle Boy - The Jimi Hendrix Anthology will be available, with or without the Jimi Hendrix Voodoo Child DVD documentary. West Coast Seattle Boy - The Jimi Hendrix Anthology will also be available in a deluxe edition featuring 8 12" vinyl LPs.
* * * * *
Experience Hendrix Tour 2010, the fourth edition of the biennial concert tour that features an all-star line up of music greats paying homage to the music and legacy of Jimi Hendrix, is currently underway with performances across the country.
Featured artists who will be performing music written and inspired by Jimi Hendrix include some of the best known and most respected musical talent in contemporary rock and blues including Steve Vai, Jonny Lang, Eric Johnson, Kenny Wayne Shepherd, Brad, Ernie Isley, Living Colour, Mato Nanji, Double Trouble's Chris Layton, along with bassist Billy Cox. Cox, who first befriended Hendrix when the two were in the 101st Airborne Division of U.S. Army, played in both the Jimi Hendrix Experience and Band of Gypsys and performed with Hendrix at such landmark festivals as Woodstock and the Isle of Wight.
(All tracks are original master recordings)
(These tracks will be available in Europe on PlayStation 3 system Oct. 13)
Janie Hendrix, the CEO of Experience Hendrix LLC, and Sony Music Entertainment’s Legacy Recordings launched their monumental 2010 Jimi Hendrix Catalog Project on March 9 with the release of “Valleys Of Neptune.”
The newly curated album of 12 fully realized studio recordings features more than 60 minutes of music never commercially available on a Hendrix album.
The project focuses around tracks recorded during a pivotal and turbulent four-month period in 1969.
“Valleys of Neptune” unveils the original Jimi Hendrix Experience’s final studio recordings, (Hendrix, drummer Mitch Mitchell and bass player Noel Redding) as the trio lays down the foundation for its follow-up to Electric Ladyland, alongside first sessions with bassist Billy Cox, an old army buddy he’d recruited into his new ensemble.
“Valleys of Neptune” is previously unreleased Hendrix music, originally recorded and mixed for this historic release by Hendrix’s longtime engineer Eddie Kramer, who first worked with the guitarist on his debut Are You Experienced? album in 1967.
“Valleys of Neptune” reveals an audio view of what Hendrix was up to musically in the critical period between the release of Electric Ladyland in October 1968 and the 1970 opening of his own Electric Lady Studios in Greenwich Village, the state-of-the-art facility where he would begin his final project, the album First Rays of the New Rising Sun.
“Valleys of Neptune” is produced by Janie Hendrix, John McDermott (who contributes detailed liner notes to the album) and Kramer.
“The idea was to look at a really interesting period of Jimi’s career,” presents John McDermott. “It’s about the Jimi Hendrix legacy. We look at it as an important piece of the puzzle. We had spent the last few years sort of enhancing and improving the classic iconic live things like Woodstock and Monterey and so here let’s turn back towards the studio. Let’s again focus on a time period that is really important in terms of the development of Jimi’s career.
“You discover the root is the songs. The songs are wonderful. They connect and continue to inspire. They’re great. The cool thing about Jimi Hendrix that particularly young fans should understand is that he had the foresight to own his own master recordings. He did not record at his record company’s studio like The Beatles did, for example. He did not have an engineer who was a union employee and who would look at a clock, ‘OK Jim, you got to go. Somebody else is coming in at 11.’ He was a guy used the studio as a tool to write and create.”
About his product collaborations with Janie Hendrix and Eddie Kramer, McDermott also adds, “We have the benefit of continuity. And that Janie, Eddie and I have worked together now for 12 years. And we’ve been able to not only plot out releases that we want to focus on but cast the net to find cool things. And so we’re not beholden to anybody to put records out. So in this process we mixed some things, kept going, found like a couple of gems, and said, ‘This fits perfectly here. That’s going to be part of the record.’ ‘Ships Passing Through The Night’ is one such example. That is what informs a lot of the decision making. You get gifts like that,” reflects McDermott.
Housed in the “Valleys of Neptune” album are songs that include the final studio recordings birthed by the original Jimi Hendrix Experience (after Electric Ladyland, in addition to capturing Hendrix’s initial efforts to forge a new sound equation with drummer Mitch Mitchell and bassist Billy Cox).
The 2010 March release includes unearthed studio covers of Elmore James’ classic “Bleeding Heart” and Cream’s “Sunshine of Your Love” as well as original Hendrix compositions like the aforementioned “Ships Passing Through The Night,” “Lullaby For The Summer” and the original un-dubbed Jimi Hendrix Experience rendition of “Hear My Train A Comin’.”
Also included in “Valleys of Neptune” is “Mr. Bad Luck,” a Jimi Hendrix Experience track produced by Chas Chandler during the 1967 Axis: Bold As Love sessions. There’s also a recording of “Stone Free” that Hendrix produced with vocal overdubs courtesy of Family’s Roger Chapman and Andy Fairweather Low.
“Jimi would re-visit songs — like ‘Stone Free,’” McDermott explains. “The cool thing is, which I think people have to understand, is that it’s a signature song to the audience at large. No doubt about it. It was the first song he wrote for The Experience and [it’s] on the B-side of ‘Hey Joe’ but not included in the debut U.S. Reprise Records U.S. Are You Experienced? album.
“He did it quickly because it was all that they could afford. And by 1969 he had brought it back to his live set and said, ‘You know what? America and the world have not really heard this song.’
“And ‘Stone Free’ also shows the role of Eddie Kramer. I think the wonderful thing about Eddie — and he is such an asset to the work we do; we’re grateful to have him — is that I’ve been through every tape in the library. And when Jimi wanted to be serious about something, you can tell it’s a session Eddie is involved with, because there’s a communication between the two of them. You can hear it on the session tapes. They are working towards something. Like ‘Stone Free,’ for example. When they brought Billy (Cox) in, they did a few sessions with Billy playing with other people, jamming a little bit, but when it was time to get serious, Jimi called Noel in and called Mitch in and they cut ‘Stone Free.’ And you know it’s time to get to business.”
The first wave of products for the Jimi Hendrix Catalog Project, Legacy Recordings released on March 9 new deluxe CD/DVD editions of “Are You Experienced?,” “Axis: Bold As Love,” “Electric Ladyland” and “First Rays of the New Rising Sun,” also available on vinyl.
Each of the subsequent titles in the Hendrix catalog planned for reissue on Legacy will feature a bonus DVD featuring newly created documentaries directed by Grammy-award-winning director Bob Smeaton [“Beatles Anthology,” “Festival Express,” “Beatles: The Studio Recordings”] and featuring interviews with Experience members Redding, Mitchell and Cox, original producer Chandler and engineer Kramer.
For us, the blues just sounded right, "he said. "It resonates with people in a way that truly authentic And that brings us to the Howlin 'Wolf, which is one of the pioneers of blues, so he is a great figure for us to draw from so we listen ..'. Lightning chimney, 'with clear vocals and harmonica performance, we think it is the perfect way to accompany our story says. "Besch, who is an executive creative director at McGarryBowen, said the other radiated Wolf music a key ingredient in Viagra campaign - masculinity. "Wolf's Song has a vibration really sure for that," he said. "It felt very masculine - it is really communicated in tones of sand and the style of who this person really is."
All that AdSpeak than about confidence and masculinity, I should think that if Wolf is still alive today, he would get a big kick to hear one of his songs used to plug Viagra, so someone explain to him what the product is for. I saw Wolf a few times when I was a teenager and even in the twilight of his career he flowed sex appeal, always drawing ooh and aah from Chicago's South Side woman watching him work his magic on the local blues clubs. In fact, if you listen to the lyrics of some of Wolf hits, like "Back Door Man," "The Red Rooster" and "Wang Dang Doodle," You could say that Wolf grasp the essence of Viagra, long before it was even invented.
Tindak lanjut untuk Guy diakui dan memenangkan penghargaan 2008 album Skin Deep, dengan Living Proof gitaris legendaris melihat kembali kehidupan baik . Lagu baru “Thank Me Someday,” misalnya, kisah Guy kembali ke Louisiana dan upaya awal untuk bermain gitar. “Aku akan keluar di halaman, di tanggul, untuk berlatih,” katanya dalam siaran pers untuk album. “Kami tidak punya lampu listrik atau air mengalir – Anda bisa mendengar gitar yang satu mil jauhnya di negara tersebut, jadi aku harus pergi jauh jauh sehingga mereka tidak mengatakan ‘Pergi dari sini dengan kebisingan itu! ‘”
Living Proof fitur beragam bahan blues, dari Roadhouse blues dari “Much Too Soon” dan instrumental berapi-api “Skanky,” ke, otobiografi reflektif “Everybody’s Got To Go.” teman lama Guy BB King membuat penampilan pertama di salah satu album gitaris itu, kolaborasi panjang yang memberikan hasil “Stay Around A Little Longer.” Kata Guy dari pasangan, “BB ini menciptakan gaya bermain gitar kita jadi tumbuh. Dengan mendengarkan orang seperti dia, T-Bone Walker, Muddy Waters, dan aku masih mengambil 95% dari bermain saya dari dia. Jadi untuk memiliki seseorang seperti itu di dalam kamar dengan Anda membuat chillbumps datang pada kulit Anda. ” Lain bintang tamu di Living Bukti adalah gitaris Carlos Santana, yang bermain bersama Guy on “Where The Blues Begins.”
Buddy Guy adalah salah satu bakat paling terkenal dalam blues, dengan lima ™ Grammy Awards dan 23 memecahkan rekor WC Handy / Blues Music Awards under his belt, bersama dengan Presiden National Medal of Arts dan penghargaan yang memang layak. Guy masih akan kuat dalam karir yang kini mulai dekade ketujuh. “Beberapa hari yang lalu, saya mendengar BB King berkata, ‘Aku tidak bisa memperlambat, karena saya masih berpikir ada seseorang di luar sana yang tidak tahu siapa aku belum.” Tapi, Anda tahu, blues pemain tidak berhenti, mereka hanya drop Ini seperti ibu saya sering berkata tentang agama -!. Aku terlalu jauh untuk berbalik ”
Kami juga menyebutkan bahwa meskipun kami berada di sana, kami mendengar outlet lokal dari musik nasional / waralaba restoran sedang merencanakan peristiwa serupa. Ternyata itu benar, dan yang pertama adalah Senin malam lalu.
“Blues Senin,” acara bulanan baru HOB Houston general manager Jambon Mason mengatakan ia berharap untuk mode setelah menunjukkan ia melihat di berbagai klub New Orleans selama hari kuliah, dan tanggal kembali ke percakapan dia di penggalangan dana Aykroyd.
“Saya berbicara dengan beberapa seniman lokal, dan aku membuat komitmen untuk orang-orang bahwa kami akan membawa beberapa blues pemrograman kembali ke House of Blues,” katanya.
Gagasan malam blues bulanan mulai terbentuk musim panas ini, ketika HOB mengadakan blues-pihak bertema menampilkan Diunna Greenleaf selama konvensi nasional manajer arena dan tempat. Tapi Jambon, yang mengatakan HOB juga membantu dengan upacara peresmian mendatang untuk penanda Hopkins historis petir ‘, berpikir Houstonians akan menggigit juga.
“Saya kira ada pasar untuk itu,” katanya. “Houston sangat beragam, dengan sebuah adegan blues sebenarnya cukup bagus bahwa kita hanya perlu untuk membantu membawa ke permukaan.”
Veteran Houston duo Milton Hopkins dan Texas Johnny Boy, yang juga muncul di manfaat Mei, menunjukkan judul malam ini, dengan Trudy Lynn, Johnny Moeller dan Mike Morgan juga pada tagihan. Dengan harga berkurang pada sandwich bir, bourbon dan barbecue, Jambon berharap dapat menciptakan suasana yang juke tua-waktu bersama dalam jutaan dolar Houston fasilitas Pavilions – sebanyak mungkin, anyway.
“Saya kira apa yang kita coba lakukan adalah, terlepas dari mana kita berada, setelah Anda berjalan melalui pintu-pintu, mencoba untuk membuat sebuah transformasi kembali ke salah satu sendi blues tradisional,” katanya. “Kami berpikir bahwa jika kita bertumbuh, kita benar-benar dapat mengangkat profil dari blues di Houston.”
Jambon menyadari bahwa bahkan dengan penutup tidak, musik live dalam bentuk apa pun – tapi mungkin blues khususnya – adalah menjual sulit pada hari Senin malam di Houston. Tapi dia berharap Senin Blue akan tumbuh cukup untuk mana ia dapat membuat kolam revolving seniman lokal seperti Milton Hopkins, Little Joe Washington dan Diunna Greeleaf bersama rekan-rekan mereka dari Beaumont / Port Arthur dan New Orleans.
“Seperti apa saja, mungkin mulai lambat,” katanya. “Tidak pernah dapat tumbuh menjadi orang yang seribu hal malam, tapi benar-benar bukan itu yang kita pergi untuk Jika kita bisa mendapatkan dua atau tiga ratus benar-benar baik penggemar blues di Aula Musik,. Mungkin mengekspos beberapa orang baru untuk genre, maka itulah hal yang baik. ”
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